IT — Nella nuova puntata ripercorriamo gli eventi che si commemorano dal 10 febbraio del 2004, analizzando la complessa vicenda che ha portato all’istituzione di un Giorno del Ricordo, sempre più spesso al centro di una narrazione distorta. In questo episodio: • Alessandro Barbero, La verità sulle Foibe, 2021 • Lorenzo Filipaz, Foibe o Esodo? «Frequently Asked Questions» per il Giorno del Ricordo, pubblicato su https://www.wumingfoundation.com/giap/2015/02/foibe-o-esodo-frequently-asked-questions-per-il-giornodelricordo/, 2015. — EN — In this new Dispatch episode we trace the events commemorated since 10 February 2004, analyzing the complex story that led to the establishment of the Giorno del Ricordo, which is becoming more and more the focus of a distorted narrative. In this episode: • Alessandro Barbero, La verità sulle Foibe, 2021 • Lorenzo Filipaz, Foibe o Esodo? «Frequently Asked Questions» per il Giorno del Ricordo, pubblicato su https://www.wumingfoundation.com/giap/2015/02/foibe-o-esodo-frequently-asked-questions-per-il-giornodelricordo/, 2015.

IT — La nuova puntata di Dispatch è stata realizzata dalla sound artist, performer e curatrice Diana Lola Posani. L'episodio propone un insieme eterogeneo di testi che trattano del legame tra ascolto profondo e desiderio. Sonorizzazione di Ivan Liuzzo. In questo episodio: - Pascal Quignard, BUTE, 2008 - Marius Schneider, La musica primitiva, 1960 - Elisa Biagini, Filamenti, 2020 - Diana Lola Posani, La cascata e la gioiosa permeabilità, 2022, originariamente pubblicato in inglese da The Journal of the Sonic Art Research Unit (Oxford Brookes University) — EN — The new Dispatch was realized by sound artist, performer and curator Diana Lola Posani. The episode offers a diverse range of texts that focus on the connection between deep listening and desire Soundtrack by Ivan Liuzzo. In this episode: - Pascal Quignard, BUTE, 2008 - Marius Schneider, La musica primitiva, 1960 - Elisa Biagini, Filamenti, 2020 - Diana Lola Posani, La cascata e la gioiosa permeabilità, 2022, originally published in English by The Journal of the Sonic Art Research Unit (Oxford Brookes University)

In this episode: 1. "We are witnessing a crime against humanity", article by Arundhati Roy, "The Guardian", 28 April 2021. 2. Tropical Parula, Indaiatuba, São Paulo, Brazil
 3. "Self Portrait”, poem by David Whyte. 4. Press release of the exhibition “SOMETIMES DOING SOMETHING POETIC CAN BECOME POLITICAL AND SOMETIMES DOING SOMETHING POLITICAL CAN BECOME POETIC” by artist Francis Alÿs at David Zwirner Gallery, New York, from February 15 to March 17, 2007
 5. “Sud e Magia”, text by Ernesto de Martino, Feltrinelli publicher, Milan 1982 6. “Antico Adagio”, music by Lino Capra Vaccina

This new “Dispatch” episode has been realized by sound artist and performer Ramona Ponzini, whose vinyl “Trees are Columns with Clouds on Top” (2019) is on display in the show “Autoritratto come Salvo”. This Dispatch is dedicated entirely to Salvo.    In this episode:  1. Franco Battiato, “Di passaggio”, from “L’imboscata”, PolyGram, 1996  2. Salvo, “40 nomi”, Gravestone, 47,24 x 18,11 in, Private collection, 1971  3. Salvo, “Io sono Salvo”, in “Salvo – Sette incisioni e sette poesie”, Marco Noire edition, 1983  4. Gian Marco Montesano, “…Il catalogo è questo! (Aria del catalogo)”, in “Salvo-Landscapes”, Trento, Studio d’Arte Raffaelli, 2000  5. Aleksandr Blok, “Notte, strada, lampione, farmacia…”, 1912

EN — For this new episode of Dispatch, I invited Giulia Crispiani, one of the artists on show in my RETROFUTURE section, to curate a special episode. Drawing inspiration from the city of Rome, its sounds and an imagined rain that features as a sort of MacGuffin in her writing. Here, she reads “Monsone perpetuo”, which could be called a prelude to “Il Futuro è finito ieri”, the work which you can find in my physical space. In this episode: Giulia Crispiani reads “Monsone Perpetuo”, 2018 (https://www.museomacro.it/wp-content/uploads/2021/04/Dispatch-No-13-Giulia-Crispiani-reads-Monsone-Perpetuo.pdf) Sound by Federico Antonini — IT — Per questo nuovo episodio di Dispatch ho invitato Giulia Crispiani, una delle artiste in mostra nella mia sezione RETROFUTURO, a curare una puntata speciale traendo ispirazione dalla città di Roma, dai suoi suoni e da una pioggia immaginaria che figura come una sorta di MacGuffin nella sua scrittura. Qui legge “Monsone perpetuo”, una sorta di preludio a “Il Futuro è finito ieri”, l'opera che potete trovare nel mio spazio fisico. In questa puntata: Giulia Crispiani legge “Monsone Perpetuo”, 2018 (https://www.museomacro.it/wp-content/uploads/2021/04/Dispatch-No-13-Giulia-Crispiani-reads-Monsone-Perpetuo.pdf) Sonorizzazione di Federico Antonini

In this episode: 1. Roger Callois, “The Writing of Stones” 2. Fairy Pitta, Lake Miike, Miyazaki, Japan 3. Lucy Lippard, “The Pink Glass Swan” 4. Steve Reich, “Come Out” (Nicolas Jaar Remix) 5. Alfredo Jaar, “The Eyes of Gutete Emerita”

In this episode: 1. Marguerite Duras, un estratto da “Scrivere” 2. “Common Sandpiper”, Luspebryggan, Sweden 3. Wyslawa Szymborska, “Possibilities” https://www.nobelprize.org/prizes/literature/1996/szymborska/25552-wislawa-szymborska-poetry-1996/ 4. Laurie Anderson, “Language is a virus”, 1986 5. Press Release “Irrigitation Veins: Ana Mendieta and Carolee Schneemann” https://www.ppowgallery.com/exhibition/7032/press-release

This new episode of Dispatch comes out on the occasion of the #Giornatadelcontemporaneo organized by AMACI — Association of Italian Contemporary Art Museums. I invited Nicola Pecoraro, artist and creator of my avatar, to curate this special episode. Drawing intuitively from the landscapes that surround him, he proposed for my podcast a remix of heterogeneous contents, such as the sound elements taken from everyday life and the fragments of songs that trace his research or his collaborations and make up a collage of voices. In this episode: 1. Intro 2. Nicola Pecoraro, “Respire L'infinir”, 2020 (excerpt) 3. Interlude 1 4. Edited posts from the electronic music forum on www.gearslutz.com 5. Interlude 2 6. Introduction chapter from “The Last Man”, by Mary W. Shelley, 1826 (part 1) 7. Interlude 3 8. Introduction chapter from “The Last Man”, by Mary W. Shelley, 1826 (part 2)

In this episode: 1. Randy Kennedy, "Language as Sculpture, Words as Clay" on “New York Times” https://www.nytimes.com/2007/10/21/arts/design/21kenn.html?_r=2&oref=slogin&oref=slogin 2. Leonard Cohen, "First of all", from “The Book of Longing” 3. Brown Thornbill, Ambleside, Devonport, Tasmania, Australia 4. Etel Adnan, taken from "The cost for love we are not willing to pay” 5. John Cage, “In love with another sound” 6. Press Release "Lo Savio", la Galleria D'arte Selecta, Rome, 1960

This podcast was made during Pauline Julier’s residency at the Swiss Institute of Rome, in occasion of the evening “Event Horizon — Là où commence le ciel” [https://www.istitutosvizzero.it/residenze/event-horizon-la-ou-commence-le-ciel/] conceived with Filipa Ramos (September 2002). Sources are, by order of appearance: 1. Anne Carson, “Lecture on the History of Skywritings”, © The Louisiana Channel, Louisiana Museum of Modern Art, 2019 2. Forensic Architecture, “Cloud Studies”, 2020 3. Quinn Latimer, “Dear Drone”, Letter in response to Pauline’s video, 2020 4. Vinciane Despret in conversation with Filipa Ramos, 2020 5. Michelangelo Antonioni, “Au-delà des nuages” in Rien que des mensonges, 1991 6. Helmut Völter, “The Movement of Clouds Around Mount Fuji”, Photographed and Filmed by Masanao Abe, 2016 Produced by the Swiss Institute of Rome, in collaboration with MACRO, Rome.